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This web page on the Serbian monastery of Studenica is the
description of its history,
architecture, sculptural ornamentation, wall painting, icons, manuscripts and works
of applied art. Studenica's cultural heritage throws light on the development of
painting and architecture in the Byzantine tradition from the early Middle Ages onward.
Studenica has only partly retained its early appearance. The
monastery had a number of buildings, laid out, as was customary, to form an enclosed
complex consisting of the main and ancillary churches, the reflectory, living quarters and
other buildings connected with the running of the monastery.

The founding of the churches played an importnat role at both
the beginning and end of the political career of Grand Prince (Veliki Zupan) Stefan
Nemanja (1166-1196,d.1199).

When Nemanja came upon this spot beside the little river
Studenica, which was to give its name to the monastery dedicated to the Virgin
Benefactress, it was un "uninhabited hunting ground of wild beasts".
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 The construction of the church and other buildings must have lasted a
considerable number of years, and we know that the fresco painting was not undertaken
until after the founder's death.
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Stefan Nemanja's charter to Studenica has not been preserved,
nor has any trace been found of the inscription, so that nothing is known to us of the
endowments and gifts made at the time of the monastery's foundation.
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Simultaneously with the construction of the church, it would have
been necessary to raise walls and towers for the protection of the monastic community. All
this must have been completed in the main by the spring of 1196, when Nemanja himself came
to live as a monk in his foundation.

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Tombstone of Dionisije, the first abbot, installed by Nemanja
when he left Studenica for Athos (1197). Dionisije was still abbot when when Nemanja's
remians were brought to Studenica.
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